The 2024 edition of Cinema In Verde is set to captivate audiences with a curated selection of films that, while not explicitly centered on environmental themes, offer profound reflections on our relationship with the planet. Among the four films featured in the special screening, three are Italian, and one is Spanish, with a particular focus on Italy and recent social issues.
This year’s goal is to explore ecology in a broad sense, touching on aspects that extend beyond mere environmental protection. An example of this approach is “Un mondo a parte” by Riccardo Milani, a film tackling education, local communities, and cultural identity. Although Milani does not define his work by a specific genre, for the festival, it is clearly an eco-conscious film. The film dissolves the distinction between protecting the landscape, ensuring personal well-being, and defending the community—not as a civic duty but as a natural act of self-preservation. Some might interpret it as a film about love or education, but its environmentalist essence lies in its ability to intertwine multiple layers and illustrate how changes in the environment influence human behavior.
Another standout title is “Alcarràs” by Carla Simón, a film set in a small Catalonian village. The story of a family’s struggles becomes a lens through which the film explores themes of memory, identity, and nostalgia. Most importantly, Alcarràs raises critical questions about the future of farmers in a world undergoing constant ecological transition. The film emphasizes the challenges of sustainable agriculture and the urgent need for adaptation in the face of climate change.
From Italy’s Po Delta, Michele Vannucci’s “Delta” takes the shape of a Western-style action film, portraying the conflict between a river warden and a poacher. This personal battle mirrors broader societal tensions related to violence and survival, while also addressing key ecological concerns such as biodiversity loss and industrial water pollution. Vannucci’s storytelling compels audiences to consider the consequences of human activity on river ecosystems, which are vital for environmental balance.
Lastly, “Io Capitano” serves as a reminder that environmental sustainability cannot be separated from social and economic sustainability. This film examines themes such as North-South global relations, human rights, and migration, emphasizing that caring for the environment also means addressing global inequalities. The film highlights the interconnectedness of environmental justice and social justice, reinforcing the idea that humanitarian crises are closely tied to ecological issues.
With Cinema In Verde 2024, the festival stands out for its ability to present films that, while seemingly unrelated to environmental topics, lead audiences toward a deeper reflection on our relationship with nature and society. These films encourage us to look beyond the immediate, to recognize the intricate connections between environment, culture, economy, and social justice, reinforcing the urgency of a comprehensive approach to sustainability in shaping our present and future.
